Информация о тьюторах. Мишко Шувакович


Мишко Шувакович (Miško Šuvaković) – сербский философ, искусствовед, концептуальный художник. Родился в 1954 году в Белграде. Преподаватель теории искусства и теории культуры в Университете искусств в Белграде.

Мишко Шувакович — один из основателей и член концептуальной художественной Группы 143 (Group 143) (1975-1980). Принимает участие в TkH: Walking Theory  платформе с октября 2000 года. С 1998 года является членом Словенского Общества Эстетики (Slovenian Aesthetic Society). В марте 1993 г. Мишко Шувакович получил учёную степень PhD , защитив диссертацию по теме “Аналитическая философия и теория искусства”. Преподаёт эстетику и теорию искусства на музыкальном факультете в Университете искусств, Белград.

Книги

* 2010 Istorija umetnosti u Srbiji XX vek — Prvi tom: Radikalne umetničke prakse, Orion art, Beograd (srp.)

* 2006 Diskurzivna analiza – Prestupi i/ili pristupi ’diskurzivne analize’ filozofiji, poetici, estetici, teoriji i studijama umetnosti i kulture, Univerzitet umetnosti u Beogradu, Beograd, (srp.)

* 2006 Farenhajt 387 – Teorijske ispovesti, Orpheus, Novi Sad, (srp.)

* 2006 Studije slučaja – Diskurzivna analiza izvođenja identiteta u umetničkim praksama, Mali Nemo, Pančevo, (srp.)

* 2005 Pojmovnik suvremene umjetnosti, Horetzky, Zagreb, 2005. (hrv.) * 2005 Mapiranje tijela/tijelom – Zlatko Kopljar [Mapping of the Body/with body], Meandar, Zagreb (hrv. engl.)

* 2004 Politike slikarstva, Obalne galerije, Piran, 2004. (slov.)

* 2003 Impossible Histories – Historical Avant-Gardes, Neo-avant-gardes, and Post-Avant-gardes in Yugoslavia, 1918–1991, The MIT Press, Cambridge MA, (sa Dubravkom Đurić) (engl.)

* 2003 Vlasta Delimar — Monografijaperformans [Vlasta Delimar — Monographyperformance], Areagrafika, Zagreb (sa Vladom Martekom i Marijanom Špoljarom) (hrv. engl.)

* 2002 Martek – Fatalne figure umjetnika – Eseji o umjetnosti i kulturi XX. stoljeća u Jugoistiočnoj. Istočnoj i Srednjoj Europi kroz djelo(vanje) umjentika Vlade Marteka [Martek – Artist’s Fatal Figures – Essays on Art and Culture of the 20th Century in the Southeastern, Eastern and Middle Europe through the Work of Artist Vlado Martek],

Meandar, Zagreb, (hrv. engl.)

* 2001 Anatomija angelov. Razprave o umetnosti in teoriji v Sloveniji po letu 1960, ZPS, Ljubljana, 2001. (slov.)

* 2001 Figura, askeza in perverzija, Hyperion, Koper, 2001. (slov.)

* 2001 Paragrami tela/figure: Predavanja i rasprave o strategijama i taktikama teorijskog izvođenja u modernom i postmodernom performance artu, teatru, operi, muzici, filmu i tehnoumetnosti, CENPI, Beograd, (srp.)

* 2000 Point de Capiton. Eseji, fragmenti i meditacije o umjetnicima, Izdanje Darko Šimičić i Božidar Raos, Zagreb, (hrv.)

* 1999 Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950, SANU i Prometej, Beograd i Novi Sad, (srp.)

* 1999 Koloman Novak LUMINOKINETIKA. Eseji o Kolomanu Novaku [Koloman Novak LUMINOCINETICS, Essays on Koloman Nopvak], Prometej, Novi Sad, (srp. engl.)

* 1998 Estetika apstraktnog slikarstva. Apstraktna umetnost i teorija umetnika 20-ih godina, Narodna knjiga / Alfa, Beograd, (srp.)

* 1997 Slavko Bogdanović POLITIKA TELA. Eseji o Slavku Bogdanoviću [Slavko Bogdanović BODY POLITICS, Essays on Slavko Bogdanović], Prometej i K21K, Novi Sad, *1997. (srp. engl.)

* 1996 Asimetrični drugi. Eseji o umetnicima i konceptima, Prometej, Novi Sad, (srp.)

* 1996 Neša Paripović AUTOPORTRETI. Eseji o Neši Paripoviću [Neša Paripović, SELFPORTRAITS. Essays on Neša Paripović], Prometej, Novi Sad, (srp. engl.)

* 1995 Postmoderna (73 pojma), Narodna knjiga, Beograd, (srp.)

* 1995 Prolegomena za analitičku estetiku, Četvrti talas, Novi Sad, (srp.)

* 1994 PAS TOUT — Fragments on art, culture, politics, poetics and art theory 1994-1974, Meow Press, Buffalo NY, (engl.)

* 1989 Scene jezika. Uloga teksta u likovnim umetnostima. Fragmentarne istorije 1920-1990 knj. 1 i 2, ULUS, Beograd, (srp.)

Статьи

* „Epostemology of Teaching Art – How to Learn / Teach Art – Yes or No …How and Where!?“, from “Art in the grip of education”, Maska no. 103-104, Ljubljana, 2007.

* “Technologies of Performing in Performance Art”, TkH no. 10, Beograd, 2006.

* “Indexing and Mapping Modern and Postmodern Art in Serbia after 1945”, from Irwin (eds), East Art Map – Contemporary Art and Eastern Europe, Afterall, London, 2006.

* “Critical Question About Deconstruction or About DeCentring of the Relation Between *Philosophy and Music”, in Leon Stefanija (ed), Musicological Annual XLI / 2, Ljubljana”, 2005.

* “Theoretical Performance”, Maska no. 90-91, Ljubljana, 2005.

* “NSK Symptom”, from Art and Politics – The Imagination of Opposition in Europe, R4 publishing, Dublin i The Ministry of Foreign Affairs of the Republic of Slovenia, 2004.

* „Art as a Political Machine: Fragments on the Late Socialist and Postsocialist Art of Mitteleuropa and the Balkans“, from Aleš Erjavec (ed), Postmodernism and the Postsocijalist Condition – Politized Art under Late Socialism, University of California Press, Berkeley, 2003.

* “The Limits of Discourse: A Lecture on Relationship between Theory and Body in the XX Century”, Filozofski vesnik XXIII, 2/2002, ZRC SAZU, Ljubljana, 2002.

* “Belgrade”, iz Timothy O. Benson (ed), Central European Avant-Gardes: Exchange and Transformation, 1910–1930, LACMA Los Angeles i The MIT Press Cambridge Mass, 2002. * “The Ideology of Exhibition: on the ideologies of Manifesta”, Platforma SCCA no.3, Ljubljana, 2002.

* “Critical Phenomenology of Artwork: The Status, the Functions and the Effects of the Artwork at Manifesta 3”, Platforma SCCA no. 2, Ljubljana, 2000.

* “Status and priorities. A pre-consideration for Manifesta 3”, Platforma SCCA no. 1, Ljubljana, 2000.

* «Painting After Painting: The Painting od Susan Bee», from M/E/A/N/I¬/N.G – An Anthology of Artists’ Writings, Theory, and Criticism, Duke University Press, Durham, London, 1995.

* “Advocates: Art and Philosophy. Approachin the ‘Relations’ of Philosophy and Art in the 20th Century”, from XIVth International Congress of Aesthetics “Aesthetics as Philosophy” * Proceedings — Part I — Introductory and Invited Papers, u Filozofski vestnik št. 2, ZRC SAZU, Ljubljana, 1999, str. 111-126.

Кураторские проекты

* 2007 Konceptualna umetnost, Muzej savremene umentosti Vojvodine, Novi Sad.

* 2006 Hibridno – Imaginarno : slikarstvo ili ekran, Muzej savremene umetnosti Vojvodine, Novi Sad. * 2005 Moć Praznine – Julije Knifer i Tomo Savić Gecan, Galerija PM, Zagreb.

* 2004 Politike slikarstva, Obalne galerije, Piran.

* 1998 Prestupničke forme devedesetih – Postmoderna i avangarda na kraju XX veka, (sa Ješom Denegrijem), Muzej savremene likovne umetnosti Novi Sad i Centar za savremenu kulturu Konkordija Vršac.

* 1996 Tendencije devedesetih: hijatusi modernizma i postmodernizma, Centar za vizuelnu kulturu ‘Zlatno oko’, Novi Sad.

* 1996 Primeri apstraktne umetnosti: jedna radikalna istorija, Paviljon Cvijete Zuzorić, Beograd.

* 1995 Grupa Kod, Grupa ($ i Grupa ($ Kod – Retrospektiva, Galerija savremene likovne umetnosti, Novi Sad.

* 1981 David Nez – Rad 1968-1973, Gakerija SKCa, Beograd.

* 1980 Primeri – druga skulptura 1961-1979, Galerija SKCa, Beograd.

* 1978 Primeri analitičkih radova, Galerija SKCa i Galerija Nova, Zagreb.

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Информация о тьюторах. Александр Комаров

Александр Комаров —  белорусский  художник, автор персональных и групповых выставок  в Беларуси и за рубежом  (в Голландии, Дании, Польше, Великобритании и т.д.). Родился в Гродно в 1971г.  В настоящее время проживает в Роттердаме (Нидерланды).

Персональные  выставки

2010               Capital, CAUC Vitoria-Gasteiz, Spain

2009               Estate, FILMHOUSE , The Hague, The Netherlands

2009               Gallery Mirta De Mare, Rotterdam The Netherlands

2008               Kunsthalle Winterthur, Zurich,Switzerland

2008               Estate, Anna Partenheimer Studio,Berlin, Germany

2008               On Translation: Transparency/Architecture  acoustique, Uqbar, Berlin, Germany

2007/8           On Translation, Netwerk / Center for contemporaryart, Aalst, Belgium

2007               Handel with care, Gallery Aneks, Poznan, Poland

2006               See you in Disneyland, Fonds BKVB/ Büro Friedrich,  Berlin, Germany

2003               Corresponding to the Pick-up of an Electric Reproducer, Palace of Art, Minsk, Belarus

Избранные групповые выставки

2011               Passion of Ornithologist. On Myth Making,  curating by Adam Budak, in Nowy Socz, Poland

2011               The Journey to the East, curatad by Monika Szewczyk   Arsenal Gallery, Bialystok, Poland

2011               OPENING THE DOOR? BELARUSIAN ART TODAY,  curated by Kęstutis Kuizinas, co-operation                    on the part of Zachęta Anna Tomczak, Zacheta  Gallery, Warsaw, Poland

2011               FROM ONE WORD TO ONE WORD — a possible void, curated by  Adam Budak, Bäckerstrasse4
plattform für junge kunst
 Gabriele Schober
 Wien. Austria

2010               VISUAL ARTS. NEW PRACTICES, Y Gallery, Minsk, Belarus

2010               Opening the Door? Belarusian Art Today CAC, Vilnus, Lithuania

2010               FALL OUT,art, desire and disengage, Gl Holtegaard, Modern Art Denmark & Malmö Konsthall, Sweden

2009               Capital, Panorama, Impakt, Utrecht. NL

2009               Summertime; or, Close-ups on Places We’ve (Never) Been, SFAI  San Francisco. USA

2009               LOOP , Barcelona, Spain

2009               Belarusian Perspectives, Arsenal Gallery in  Bialystok, Poland

2008               Art Reclaims Foreign Affairs, Association for   Contemporary Art, Graz, Austria

2008               Documentary Perspectives in Contemporary Art,  Vancity Theatre and Vancouver International Film  Festival curated by Bettina Steinbruegge and Tine Fischer, Vancouver, Canada

2008               KUNSTINVASION, Berliner Kunsthalle, Berlin, Germany

2008               La Luna Piena, TENT. Rotterdam Center for Visual  Arts, The Netherlands

2008               Satellite Tunes, Art from the Post-Soviet States,  Hungarian University of Fine Arts, Budapest Hungary

2007               Minsk, urban diary, LAZNIA, Centre for Contemporary Art, curated by Lena Prents, Gdansk, Poland

2007   Not Only Possible, But Also Necessary, Optimism in the age of global war The 10th International  Istanbul Biennial, curated by Hou Hanru Istanbul, Turkey

2007               Authorized documents of my Western and Eastern family, KUMU Kunst Museum, curated Viktor by Misiano, Tallinn, Estonia

2007               Progressive nostalgia, 35 g/Passport, Prato-Museum of Contemporary Art Luigi Pecci, curated by Viktor Misiano, Prato, Italia

2007               The collection of Archiving documents on privet and  public property, Galery Etc. Prague, curated

by Jiri Ptacek / Jiri Skala, Czech Republik

2007               Critically in-between, ART ATHINA 2007, Athence, Greece

2006               How to Do Things? – In the Middle of (No)where, Kunsthallen Nikolaj, Contemporary Art Center

Copenhagen, Denmark

2006               How to Do Things? – In the Middle of (No)where, Kunstraum Kreuzberg/Bethanien, Berlin, Germany

2006               Microcosm of perfect Societies, Tresor, Ba-ka, Kunstforum, Vienna, Austria

2006               City project, Tokyo Wonder Site (TWS), Tokyo, Japan

2006               Old News cneai Chatou, Franc editor: Jacob  Fabriciuse old news Fall 3 issue January — March: Henrik Olesen (Denmark), Karl Holmqvist (Sweden), April-June: Anri Sala (Albania), Lucas Ajemian  (USA), T10. (Transfunctional Territory) (Cuba) July-September: Aleksander Komarov (Belarus), Laura Horelli (Finland) October-December: Lee Ranaldo (USA), Bruno Serralongue (France), Leah Singe (USA)

2005               A Second Sight, International Biennial of  Contemporary Art, Prague,The National Gallery, CZ, curated by Oliver Kielmayer

2005               Project Rotterdam, Museum Boijmans van Beuningen. Rotterdam, The Netherlands

2005               City Scale, “Psychogeographical investigation.  Taxiguide” Kulturkontakte, Vienna, Austria

2005               Club Cube, CSW Zamek Ujazdowski, Warsaw, Poland

2004               Publish and be damned, Cubitt’s, London, GB

2004               Outsider, Villa Decius, Krakow, Poland

2003               Catching the Ghost, HEDAH, Maastricht,   The Netherlands

2002               Expect Relevance, K3, Zurich, Switzerland

2002               The Centenarian,TENT, Rotterdam, The Netherlands

2001               As Above As Below, De Fabriek, Eindhoven,   The Netherlands

2001               Luchtvaart, CSW, Zamek Ujazdowski, curated by  Eva Gozondek, Warsaw, Poland

Публикации

2010   ESTATE art book,Editor: Lena Prents Graphic design: Jung & Wenig Berlin

2005     “35 gr”, artist’s book, edition 1000, 56 pages, 20 x 26 cm Concept Aleksander Komarov, essay  Nelly Bekus, published by: Fonds BKVB,Amsterdam,NL

2007     Prato -Museum of Contemporary Art; Centro per l’Arte Contemporanea Luig Pecci,IT

2006     OLD NEWS ,A project about the media and recycled  news published by Pork Salad Press (editor Jacob Fabricius)

2007     Changing Roles, Artist s personal views and  wishes,Witte de With,Rotterdam,

2007     On Translation Transparency, edition 2000,  Aleksander Komarov, published by Mondriaan  Foundation, Amsterdam and 10th International  Istanbul Biennial

2007     “Past Imperfect” A. Komarov, Moscow Art Magazine

 

No news from Belarus.

Александр Комаров. Дворец Республики.

Александр Комаров. No News from Belarus.               

           

Александр Комаров: Every Friday Will Be Like Every Friday(Close up), 2006.

http://aleksanderkomarov.com/contact_cv.php

http://aleksanderkomarov.com/films.php

http://xz.gif.ru/numbers/65-66/aleksandr-komarov/

Информация для участников


«Арт-критика?» — образовательный проект, придуманный для тех, кто хочет, но не умеет, или умеет, но хочет лучше писать об искусстве.

Для участия в проекте приглашаются  жители Минска и регионов, представители различных профессий, заинтересованные в развитии навыков письма в сфере искусства. Участники отбираются организаторами проекта на основе анкетирования, присланных текстов и интервью. Основной критерий отбора участников — личная мотивация, уровень присланных текстов, максимально разнообразная выборка представителей различных профессиональный сфер и областей знания. Предполагамые участники присылают заполненную заявку (Имя, фамилия; Год и дата рождения; Образование; Место работы, место учебы; Специальность, профессия; Город проживания), мотивационное письмо,CV и два примера написанных текстов. Предварительно отобранные участники проходят интервью с организаторами. Кроме группы постоянных участников, на мастер-классах возможно присутствие некоторого количества свободных слушателей (в том числе нынешних и бывших студентов университета).

Deadline подачи заявок: 25 апреля 2012 23:59
Адрес проекта: arts.and.critics@gmail.com

ЦИСИ

Научно-исследовательская структура Европейского Гуманитарного Университета, ул. Тауро, 12, LT-01114 Вильнюс, Литва

http://www.casc-ehu.com/2012/03/490/

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